This volume contains book and exhibition reviews, conference précis, an editorial preface by Yuka Kadoi, and articles in which scholars reflect on innovative ways to present Islamic art in exhibition and museum settings. Some of these studies are based on past and current exhibitions and installations at the Ashmolean Museum, the Museum of Islamic Art in Berlin, the Metropolitan Museum of Art, and the Museum of Applied Arts in Vienna. Others reflect on the traveling exhibitions of the Dar al-Athar al-Islamiyyah in Kuwait, and on the possibilities of recreating an Ilkhanid monument within an exhibition space, combining photographs of the structure with dispersed pieces of its architectural decoration.This volume contains book and exhibition reviews, conference précis, an editorial preface by Yuka Kadoi, and articles in which scholars reflect on innovative ways to present Islamic art in exhibition and museum settings. Some of these studies are based on past and current exhibitions and installations at the Ashmolean Museum, the Museum of Islamic Art in Berlin, the Metropolitan Museum of Art, and the Museum of Applied Arts in Vienna. Others reflect on the traveling exhibitions of the Dar al-Athar al-Islamiyyah in Kuwait, and on the possibilities of recreating an Ilkhanid monument within an exhibition space, combining photographs of the structure with dispersed pieces of its architectural decoration.
The International Journal of Islamic Architecture (IJIA) announces the publication of the newest issue, 7.1 (January, 2018). This is the thirteenth issue of a bi-annually published peer-reviewed journal on architecture, urban design, planning, and landscape architecture. IJIA aims to encourage dialogue between practitioners and scholars and enhance appreciation for the urban heritage in the region and pioneering design work. The journal is committed to inviting new research on understudied topics and reaching out to a broad international readership.
This volume contains an editorial by Hasan-Uddin Khan, a commentary by Rami F. Daher, book and exhibition reviews, conference précis, and articles on Mughal hunting preserves, the radicalization of cultural heritage in Tunisia, the preservation of Ottoman heritage in Athens, present-day politics surrounding the Red Fort of Delhi, and the political context behind contemporary architecture in Qatar. New in this issue is the section “Architectural Spotlight,” written by Şebnem Yücel, which reviews recent projects selected for Aga Khan Award.
Ars Orientalis 47, Autumn 2017
New Research in Dress Across Asia, ed. Nancy Micklewright
Volume 50 - 2016 of Annales islamologiques has been released on print and online. The guest-edited section is devoted to Architecture in Modern Egypt (“Bâtir, exposer, restaurer: une histoire architecturale de l’Égypte moderne”), and features 6 essays edited by Mercedes Volait. Fully illustrated by mostly unpublished iconography, the papers explore the large variety of contexts in which architecture bloomed between the mid-19th century and the 1960s. The era witnessed the reinvention of Coptic and Islamic tradition as well as large building and land developments by corporates (e.g. Suez Canal Company), landed aristocracy (e.g. Halim and Djelal Waqf estates in Cairo) and the State (e.g. fairs and exhibitions).
The Varia section of the Annual includes five articles in French, in English and in Arabic. Three of them publish sources: two Arabic papyri from the end of the 8th or the 9th century, and a paper stemming from the documents of al-Ḥaram al-Šarīf, which sheds light on the situation of Non-Muslims in Mamluk Jerusalem. The two other articles deal with the science of Hadith in the medieval period, and with musicians and singers in Ibn Iyās’ early 16th-century chronicle.
Espacio, Tiempo y Forma, Vol. 5 (2017), Special Issue
TREASURES OF THE SEA: ART BEFORE CRAFT?
Edited by Avinoam Shalem
Avinoam Shalem: Introduction: Treasures of the Sea. Art Before Craft?
Barbara Baert: Marble and the Sea or Echo Emerging (A Ricercar)
Karen Pinto: In God’s Eyes: The Sacrality of the Seas in the Islamic Cartographic Vision
Matthew Elliott Gillman: A Tale of Two Ivories: Elephant and Walrus
Persis Berlekamp: Reflections on a Bridge and its Waters: Fleeting Access at Jazirat b. ‘Umar (Cizre) ‘Ain Diwar / (Im)mobile displacements
Hannah Baader: Livorno, Lapis Lazuli, Geology and the Treasures of the Sea in 1604604
Table of Contents
Toward a Grammar of Textiles: A Reconsideration of Medieval Textile Aesthetics and the Impact of Modern Collecting, Arielle Winnik
Nomad Textile Bags from Central Asia in the 19th and 20th Centuries: Geographic Distribution, Decoration, Semantics, Irina Bogoslovskaya
Through the Renaissance Frame: Carpets and the Beginnings of ‘Islamic Art’ in Nineteenth-Century Vienna and Berlin, Denise-Marie Teece
Pope Innocent VIII's Mamluk Carpets from Cairo in Context: Their Manufacture and Acquisition, Rosamond E. Mack
Rethinking Mamluk Carpet Origins, Gerald Pollio
Tentage at the Calico Museum and its Patterns, by Peter Alford Andrews and Mugul Andrews, Mattiebelle Gittinger
Imprints of Culture, by Eiluned Edwards, Sarah Fee
Pattern and Loom, by John Becker, Ruth Barnes
Textiles of the Banjara, by Charllotte Kwon and Tim McLaughlin, Cristin McKnight Sethi
“Imagining Localities of Antiquity in Islamic Societies"
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