The historiography of early photography has scarcely examined Islamic countries in the Near and Middle East, although the new technique was adopted very quickly there by the 1840s. Which regional, local, and global aspects can be made evident? What role did autochthonous image and art traditions have, and which specific functions did photography meet since its introduction? This collective volume deals with examples from Iran, the Ottoman Empire, and the Arab lands and with the question of local specifics, or an „indigenous lens." The contributions broach the issues of regional histories of photography, local photographers, specific themes and practices, and historical collections in these countries. They offer, for the first time in book form, a cross-section through a developing field of the history of photography.
Series: Studies in Theory and History of Photography (Book 8)
Paperback: 374 pages
Publisher: De Gruyter (October 11, 2017)
The Nasrid builders of the Alhambra – the best-preserved medieval Muslim palatial city – were so exacting that some of their work could not be fully explained until the invention of fractal geometry. Their design principles have been obscured, however, by the loss of all archival material. This book resolves that impasse by investigating the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials. This reframing enables the reconstruction of the underlying, integrated aesthetic, focusing on the harmonious interrelationship between diverse artistic media – architecture, poetry and textiles – in the experience of the beholder, resulting in a new understanding of the Alhambra.
Hardback, Spring 2018, 344 pages, 94 colour illustrations; ISBN 9781474416504
Edinburgh University Press (distributed by Oxford University Press in the Americas)
Today, the Victoria and Albert Museum holds extensive and renowned collections of Iranian art, spanning at least twelve centuries of Iran's sophisticated cultural history. These objects range from archaeological finds to architectural salvage, from domestic furnishings and drinking vessels to design archives. Most of this diverse material was purchased in the late nineteenth century, over a few decades - roughly between 1873 and 1893 - during a specific period of contact between Victorian Britain and Qajar Iran.
The book investigates that period through four case studies, showing how architects, diplomats, dealers, collectors and craftsmen engage with Iran's complex visual traditions, ancient and modern.
Hardback, 272 pages, ISBN 9781851779338
London, Bloomsbury, 2017
Hardcover Published: 01 December 2017
288 Pages | 50 colour, 20 black and white
In ʿAli Qoli Jebādār et l’Occidentalism safavide, Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebādār, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures, Habibi brings to light the diversity of ʿAli Qoli Jebādār's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sāzi, while suggesting the use of the term "Occidentalism" for those Safavid paintings that show some exotic and alien details of the Western world.
Leiden and Boston, Brill, copyright 2018
Gardens of Renaissance Europe and the Islamic Empires: Encounters and Confluences, ed. Mohammad Gharipour
The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India. In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance. This book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions.
Title: Gardens of Renaissance Europe and the Islamic Empires: Encounters and Confluences
Editor: Mohammad Gharipour
Publisher: Pennsylvania State University Press
Number of pages: 272
Number of illustrations: 122
The ten essays in this volume introduce a fascinating array of subjects, each one exploring an aspect of the far-reaching ‘mercantile effect’ and its impact across western Asia in the early modern era. The authors first presented their research at the third Gingko conference held in November 2016 at the Barenboim-Said Akademie, Berlin.
Foreword by Melanie Gibson
Introduction by Sussan Babaie: The Mercantile Effect: On Art and Exchange in the Islamicate World
Suet May Lam: Fantasies of the East: ‘Shopping’ in Early Modern Eurasia
Amy S. Landau: The Armenian Artist Minas and Seventeenth-Century Notions of ‘Life-Likeness’
William Kynan-Wilson: ‘Painted by the Turcks themselves’: Reading Peter Mundy’s Ottoman Costume Album in Context
Nicole Kançal-Ferrari: Golden Watches and Precious Textiles: Luxury Goods at the Crimean Khans’ Court and the Northern Black Sea Shore
Nancy Um: Aromatics, Stimulants, and their Vessels: The Material Culture and Rites of Merchant Interaction in Eighteenth-Century Mocha
Federica Gigante: Trading Islamic Artworks in Seventeenth-Century Italy: the Case of the Cospi Museum
Anna Ballian: From Genoa to Constantinople: The Silk Industry of Chios
Christos Merantzas: Ottoman Textiles Within an Ecclesiastical Context: Cultural Osmoses in Mainland Greece
Francesco Gusella: Behind the Practice of Partnership: Seventeenth Century Portuguese Devotional Ivories of West India.
Gül Kale: Visual and Embodied Memory of an Ottoman Architect: Travelling on Campaign, Pilgrimage and Trade Routes in the Middle East
Persian Art: Image-Making in Eurasia
Edited by Yuka Kadoi
Edinburgh: Edinburgh University Press, 2018.
183 pages, incl. 59 illustration
In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the historical, religious or scientific role of visual culture in the shaping, influencing and transforming of distinctive ‘Persian’ aesthetics across the various historical periods, ranging from pre-Islamic, medieval and early modern Islamic to modern times.
1. The Visual Culture of Greater Iran: Some Examples of Kushano-Sasanian Art
Judith A. Lerner
2. The Late Sasanian Figurative Capitals at Taq-i Bustan: Proposals Regarding Identification and Origins
3. Architecture of the Wider Persian World: From Central Asia to Western Anatolia in the Twelfth and Thirteenth Centuries
Richard Piran McClary
4. From Acquisition to Display: The Reception of Chinese Ceramics in the Pre-modern Persian World
5. Devotion and Protection: Four Amuletic Scrolls from Safavid Persia
6. The Minarets of Hurmuzgan
7. Persia, India or Indo-Persian? The Study of Sixteenth- and Seventeenth-century Knotted Pile Carpets
8. The Calligraphic Art of Mishkin Qalam
9. The Kashan Mihrab in Berlin: A Historiography of Persian Lustreware
The first dynasty to mint gold dinars outside of the Abbasid heartlands, the Aghlabid (r. 800-909) reign in North Africa has largely been neglected in the scholarship of recent decades, despite the canonical status of its monuments and artworks in early Islamic art history. The Aghlabids and their Neighbors focuses new attention on this key dynasty. The essays in this volume, produced by an international group of specialists in history, art and architectural history, archaeology, and numismatics, illuminate the Aghlabid dynasty’s interactions with neighbors in the western Mediterranean and its rivals and allies elsewhere, providing a state of the question on early medieval North Africa and revealing the centrality of the dynasty and the region to global economic and political networks.
Eighteenth-century consumers of the Qing and Ottoman empires had access to an increasingly diverse array of goods, from home furnishings to fashionable clothes and new foodstuffs. While this tendency was of shorter duration and intensity in the Ottoman world, some urbanites of the sultans’ realm did enjoy silks, coffee, and Chinese porcelain. By contrast, a vibrant consumer culture flourished in Qing China, where many consumers flaunted their fur coats and indulged in gourmet dining.
Living the Good Life explores how goods furthered the expansion of social networks, alliance-building between rulers and regional elites, and the expression of elite, urban, and gender identities. The scholarship in the present volume highlights the recently emerging “material turn” in Qing and Ottoman historiographies and provides a framework for future research.
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