HIAA prize image
HIAA Prize

The Margaret B. Ševčenko Prize in Islamic Art and Culture

Brazier. 19th century. Iran. Freer Gallery of Art, F1907.158.

Every year HIAA sponsors a competition and awards the Margaret B. Ševčenko Prize for the best unpublished essay written by a junior scholar (pre-dissertation graduate student to three years after the Ph.D. degree) on any aspect of Islamic visual culture. This competition is open to HIAA members only. The Ševčenko Prize recipient receives an award of $500 and a citation, generally presented at HIAA’s annual business meeting. The Prize is named in memory of Margaret Bentley Ševčenko, the first and long-serving Managing Editor of Muqarnas, a journal devoted to the visual culture of the Islamic world and sponsored by the Aga Khan Program for Islamic Architecture at Harvard and at MIT. The winning essay will be considered for publication by the Muqarnas Editorial Board.

How to apply

Submission must include the paper in both Word and PDF format, and a separate sheet with the author’s contact information (address, telephone number, and email address). Papers should not exceed 10,000 words in length (including footnotes), and can be accompanied by up to 15 low-resolution illustrations.

Please note that submissions cannot be in press or under review with any publisher. 

A letter of recommendation for the paper should be sent separately by the author’s adviser or referee.

All materials should be submitted by email to the Ševčenko committee chair, Hala Auji, by November 15, 2019. Files exceeding 5 Mb should be transferred by FTP.

Prize history

  • 2021

    Awarded to

    Courtney Lesoon

    PhD Candidate, Aga Khan Program for Islamic Architecture and the History, Theory, and Criticism Program at the Department of Architecture, MIT

    The Sphero-conical as Apothecary Vessel: An Argument for Dedicated Use

    Courtney Lesoon’s exceptionally written and argued paper takes up a close, object-based analysis of sphero-conical vessels. While ubiquitous, these artifacts have puzzled archaeologists and art historians alike who, unable to definitively deduce these objects’ utilitarian purposes, end up marginalizing such vessels as ‘mysterious’ quotidian products. In redressing such views, Lesoon takes up a rigorous, in-depth interdisciplinary analysis of these vessels by considering epigraphic, decorative, material, illustrative evidence in a selection of these objects, produced between the 10th-13thcentury across the Islamic world, as well as visual representations of them in manuscripts and other media. Through this meticulous empirical approach to the topic, Lesoon convincingly argues that sphero-canonical vessels likely served as apothecary jars for personal-use dosages similar in purpose to the albarello, which was popular in Europe. The committee was impressed by Lesoon’s studious research, astute analysis, and cogent argument. Most importantly, the committee felt that this study of seemingly negligible vessels is not only a significant intervention in the field of Islamic art and archaeology, but also makes a meaningful contribution to the history of pharmacology and medicine, thus demonstrating the relevance and importance of art historical analyses and methodologies beyond the discipline’s boundaries

    Selected by
    • Hala Auji (Chair), American University of Beirut
    • Eva Maria-Troelenberg, Utrecht University
    • Peyvand Firouzeh, The University of Sydney
  • 2020

    Awarded to

    Margaret Shortle

    Curator, Museum für Islamische Kunst, Berlin

    ‘My Love for Pretty Faces and Heart Bewitching Hair,’ Persian Calligraphy and its Poetic Frame

    Margaret Shortle’s paper examines the intersection of aurality and visuality in the calligraphic practices found in albums of Persian poetry during the 16th to 17th centuries. Her essay takes up a close visual and textual analysis of poetry and the poetic form found in albums produced by the calligrapher Mir Ali for the Mughal court, which she supports with a reading of Adab al-Mashq (Manners of Practices), Baba Shah Isfahani’s contemporaneous guide on calligraphy. The committee was impressed by Shortle’s cogently argued and researched essay, and felt that what set her contribution apart was her nuanced and meticulous exploration not only of the iconicity of the calligrapher’s words and signatures, but also of the entanglements of these visuals with the poetic verses themselves and their connection to orality, vis-à-vis performance, recitation, and memorization. The committee felt that Shortle’s truly interdisciplinary methodology that considers the intersectionality of visuality, orality, and performativity in early modern Persian poetic traditions, challenges the boundaries of the field’s traditional approaches to calligraphic practice

    Selected by
    • Hala Auji, American University of Beirut, HIAA International Representative
    • Eloise Brac de la Perrière, Sorbonne-Université, Paris
    • Mercedes Volait , (Committee chair), Centre national de la recherche scientifique, Paris
  • 2018

    Awarded to

    Emily Neumeier

    Assistant Professor, Temple University, Tyler School of Art

    The Church that the Pasha Built: Towards a Multi-Confessional History of Islamic Architecture

    The paper addresses the issue of architectural patronage in the late Ottoman empire, by focusing on one (seemingly unusual) case: a provincial Christian monastic complex built in 1814 to celebrate a martyr, on the order of an Ottoman vizir (Ali Pasha from Tepelena, in present-day Albania). Clearly written and articulated, the paper weaves together archival, epigraphical and archaeological evidence to write a micro-history of the building, and raises ultimately the issue of multi-confessionality in Islamic architecture, a category still poorly researched and understood in the field. Including more material on Ali Pasha, a major historical figure of his time who became moreover a literary character, could turn the paper into a fascinating essay on religious patronage. The essay has thus the potential to open new ground for the study of late Ottoman architecture, a period still understudied.

    Selected by
    • Nebahat Avcıoğlu, CUNY Hunter College
    • Moya Carey, Chester Beatty Library, Dublin
    • Mercedes Volait, Committee chair, Centre national de la recherche scientifique
  • 2017

    Awarded to

    Cailah Jackson

    The Illuminations of Mukhlis ibn ʿAbdullah al-Hindi: Identifying Manuscripts from Late Medieval Konya

  • 2016

    Awarded to

    Abbey Stockstill

    A Tale of Two Mosques: Marrakesh’s Masjid al-jamiʿ al-Kutubiyya

    The committee would also like to award an honorable mention to Bahar Bilgin Uşar (MA student, Koç University) for her study “The Aksaray Pertevniyal Valide Sultan Mosque Complex: Reflections on the Patronage of a Nineteenth Century Valide Sultan."

  • 2015

    Awarded to

    Angela Andersen

    The Cemevi: The Form and Setting of Alevi Ceremonial Architecture

  • 2014

    Awarded to

    Sugata Ray

    Shangri La: The Archive-Museum and the Spatial Topologies of Islamic Art History

  • 2013

    Awarded to

    Anneka Lenssen

    A Politics of the Arabesque in Syria, 1936-1952

  • 2012

    Awarded to

    Diana Isaac Bakhoum

    The Foundation of a Tabrizi Workshop in Cairo: A Case Study of its Influence on the Mosque of Emir Altunbugha al-Maridani

  • 2011

    Awarded to

    Amanda Phillips

    A Material Culture: Ottoman Velvets and their Owners, 1600–­1750

  • 2010

    Awarded to

    Silvia Armando

    Ugo Monneret de Villard (1881­-1954) and the Establishment of Islamic Art Studies in Italy

  • 2009

    Awarded to

    Matt Saba

    Abbasid Lusterware and the Aesthetics of ‘ajab

  • 2008

    Awarded to

    Ünver Rüstem

    The Afterlife of a Royal Gift: The Ottoman Inserts of the Shahnama-yi Shahi

  • 2007

    Awarded to

    Elias Muhanna

    The Sultan's New Clothes: Ottoman-Mamluk Gift Exchange in the Fifteenth Century

  • 2006

    Awarded to

    Emine Fetvaci

    The Production of the Sehname-i Selim Han

  • 2005

    Awarded to

    Christiane Gruber

    The Ilkhanid Mi'rajnama of ca. 1317-35 [TSK H. 2154] as an illustrated Sunni prayer manual

  • 2004

    Awarded to

    Hussein Keshani

    Architecture and the Twelver Shi‘a Tradition: The Great Imāmbārā complex of Lucknow

  • 2003

    Awarded to

    Ayşin Yoltar-Yıldırım

    Turning the pages of an Ottoman illustrated manuscript